Marlana pryor dating site

marlana pryor dating site

The resources on this page will help you learn more about why keeping your mouth healthy and your teeth clean is so important. Be sure to brush your teeth. Dec 30, 2017 - Explore marlana pryor's board "Nail Art" on Pinterest. See more ideas about Nail art, Nail designs, Cute nails. AVE A. Page 1 of 526 HOLLY. Page 2 of 526 Page 3 of 526 Page 4 of 526 BUSTAMANTE, YVONNE MARLENE PRYOR, FRANK LINWOOD.

Especial: Marlana pryor dating site

BL DATING SIM ONLINE New adult dating sites
Online dating rituals of the american male Free dating websites over 50
BEST ONLINE DATING FOR SENIORS Best dating site for open relationships

Witness for the Prosecution (1957 film)

1957 American film directed by Billy Wilder

Witness for the Prosecution is a 1957 American film co-adapted and directed by Billy Wilder and starring Tyrone Power, Marlene Dietrich, Charles Laughton, and Elsa Lanchester. The film, which has film noir elements, depicts an English courtroom drama. Set in the Old Bailey in London, the picture is based on the 1953 play of the same name by Agatha Christie and deals with the trial of a man accused of murder. The first film adaptation of Christie's story, Witness for the Prosecution was adapted for the screen by Larry Marcus, Harry Kurnitz and Wilder. The film received positive reviews and six Academy Award nominations.


Sir Wilfrid Robarts (Charles Laughton), a master barrister in ill health, takes on Leonard Vole (Tyrone Power) as a client, despite the objections of his private nurse, Miss Plimsoll (Elsa Lanchester), who says the doctor warns him against taking on any criminal cases. Leonard is accused of murdering Mrs. Emily French, a rich, older widow who had become enamoured of him, going so far as to make him the main beneficiary of her will. Strong circumstantial evidence points to Leonard as the killer, but Sir Wilfrid believes Vole is innocent.

When Sir Wilfrid speaks with Leonard's German wife Christine (Marlene Dietrich), he finds her rather cold and self-possessed, but she does provide an alibi, although by no means an entirely convincing one. Therefore, he is greatly surprised when, at the end of the trial, she is summoned as a witness by the prosecuting barrister. While a wife can not be compelled to testify against her husband, Christine was in fact still married to a German man when she wed Leonard (who was in the Royal Air Force and part of the occupation forces in Germany). She testifies that Leonard admitted to her that he had killed Mrs. French, and that her conscience forced her to finally tell the truth.

During the trial in the Old Bailey, Sir Wilfrid is contacted by a mysterious woman who, for a fee, provides him with letters written by Christine herself to a mysterious lover named Max. The affair revealed by this correspondence gives Christine such a strong motive to have lied that the jury finds Leonard not guilty.

However, Sir Wilfrid is troubled by the verdict. His instincts tell him that it was "...too neat, too tidy, and altogether too symmetrical!" His belief proves correct when Christine, left alone with him by chance in the courtroom, informs him that he had help in winning the case. Sir Wilfrid had told her before the trial that " jury would believe an alibi given by a loving wife". So, she had instead given testimony implicating her husband, had then forged the letters to the non-existent Max, and had herself in disguise played the mysterious woman handing over the letters which then discredited her own testimony and led to the acquittal. She furthermore admits that she saved Leonard even though she knew he was guilty because she loves him.

Leonard has overheard Christine's admission and, now protected by double jeopardy, cheerfully confirms to Sir Wilfred that he had indeed killed Mrs. French. Sir Wilfrid is infuriated at being had by them both. Christine also suffers a major shock when she finds Leonard has met a younger woman and is now going abroad with her. In a jealous rage, Christine grabs a knife earlier used as evidence (and subtly highlighted by Sir Wilfrid's monocle light-reflection), and stabs Leonard to death. After she is taken away by the police, Sir Wilfrid, urged on by Miss Plimsoll, declares that he will take on Christine's defence.


Credited cast[edit]

  • Tyrone Power as Leonard Vole, the accused
  • Marlene Dietrich as Christine Vole/Helm, the accused's wife
  • Charles Laughton as Sir Wilfrid Robarts Q.C., senior counsel for Vole
  • Elsa Lanchester as Miss Plimsoll, Sir Wilfrid's private nurse
  • John Williams as Mr. Brogan-Moore, Sir Wilfrid's junior counsel in the trial
  • Henry Daniell as Mr. Mayhew, Vole's solicitor who instructs Sir Wilfrid on the case
  • Ian Wolfe as H. A. Carter, Sir Wilfrid's chief clerk and office manager
  • Torin Thatcher as Mr. Myers Q.C., the Crown prosecutor
  • Norma Varden as Mrs. Emily Jane French, the elderly woman who was murdered
  • Una O'Connor as Janet McKenzie, Mrs. French's housekeeper and a prosecution witness
  • Francis Compton as Mr. Justice Wainwright, the judge
  • Philip Tonge as Chief Inspector Hearne, the arresting officer
  • Ruta Lee as Diana, a young woman watching the trial, waiting for Leonard to be freed

Appearing in bit parts[edit]

Cast notes[edit]

Witness for the Prosecution was Power's final completed film. He died of a heart attack after a lengthy dueling sequence two-thirds of the way through the filming of director King Vidor's Solomon and Sheba (1959) and was replaced by Yul Brynner.[2]

In real life, Elsa Lanchester was Charles Laughton's wife.

Una O'Connor was the only member of the original Broadway play's cast to reprise her role on film. It was also her final film; she retired from acting after its completion.


Producers Arthur Hornblow and Edward Small bought the rights to the play for $450,000. The play was adjusted to build up the character of the defence barrister.[3] Billy Wilder was signed to direct in April 1956.[4] According to Wilder, when the producers approached Dietrich about the part she accepted on the condition that Wilder direct. Wilder said Dietrich liked "to play a murderess" but was "a little bit embarrassed when playing the love scenes."[5]

Laughton based his performance on Florance Guedella, his own lawyer, an Englishman who was well known for twirling his monocle while cross-examining witnesses.[3]

Vivien Leigh, as well as Marlene Dietrich were leading candidates to play Christine Vole.[6]

In a flashback showing how Leonard and Christine first meet in a German nightclub, she is wearing her trademark trousers, made famous by Dietrich in director Josef von Sternberg’s Morocco (1930).[7] A rowdy customer conveniently rips them down one side, revealing one of Dietrich's renowned legs, and starting a brawl. The scene required 145 extras, 38 stuntmen and $90,000.[8]

United Artists’ “Surprise Ending” Caveat[edit]

At the end of the film, as the credits roll, a voice-over announces:

The management of this theater suggests that, for the greater entertainment of your friends who have not yet seen the picture, you will not divulge to anyone the secret of the ending of Witness for the Prosecution.[9]

This was in keeping with the advertising campaign for the film: one of the posters for the film said: "You'll talk about it! - but please don't tell the ending!"[10]

The effort to keep the ending a secret extended to the cast. Billy Wilder did not give the actors the final ten pages of the script until it was time to shoot those scenes. The secrecy reportedly cost Marlene Dietrich an Academy Award, as United Artists didn't want to call attention to the fact that Dietrich was practically unrecognizable as the Cockney woman who hands over the incriminating letters to the defence.[11]


The film received extremely positive reviews. Agatha Christie “herself considered it the finest film derived from one of her stories.”[12][13] It currently holds a 100% approval rating on Rotten Tomatoes, based on 31 reviews with an average rating of 8.53/10.[14] In TV Guide's review of the film, it received four and a half stars out of five, the writer saying that "Witness for the Prosecution is a witty, terse adaptation of the Agatha Christie hit play brought to the screen with ingenuity and vitality by Billy Wilder."[15]

The American Film Institute included the film in AFI's 10 Top 10 as #6 in the Courtroom Drama category.


Other adaptations[edit]

The first adaptation of the Agatha Christie story was a BBC television production made in 1949, with a running time of 75 minutes.

Another early production of Witness for the Prosecution was in the form of a live telecast on CBS's Lux Video Theatre on September 17, 1953, starring Edward G. Robinson, Andrea King and Tom Drake.[17]

Christie's play was first performed in Nottingham on September 28, 1953, opened in London on 28 October and on Broadway on December 16, 1954.[18]

In 1982, Witness for the Prosecution was remade as a television film, starring Ralph Richardson, Deborah Kerr, Beau Bridges, Donald Pleasence, Wendy Hiller and Diana Rigg. It was adapted by Lawrence B. Marcus and John Gay from the original screenplay and directed by Alan Gibson.

In 2016, a miniseries starring Toby Jones, Andrea Riseborough, Kim Cattrall and David Haig was broadcast on BBC One and received widespread acclaim.

Also in 2016, despite Deadline Hollywood announcing that Ben Affleck will direct, produce and act in a remake of Witness for the Prosecution for 20th Century Fox,[19] production has yet to start as of 2020.

Home media[edit]

Witness for the Prosecution was released on DVD by MGM Home Entertainment on December 11, 2001 as a Region 1 widescreen DVD, and by Kino Lorber (under licence from MGM) on Blu-ray on July 22, 2014 as a Region 1 widescreen disc.

See also[edit]


  1. ^"Hollywood Vanity". Variety. 27 November 1957. p. 24.
  2. ^Durgnat and Simmons, 1988 p. 301
  3. ^ abScheuer, Philip K. (July 14, 1957). "A Town Called Hollywood: Outcome of Christie Play Kept Dark Secret for Film". Los Angeles Times. p. E2.
  4. ^Pryor, Thomas M. (April 27, 1956). "NEW MOVIE DEAL FOR BILLY WILDER: Signed to Direct 'Witness for the Prosecution' After Completing 2 Other Films R.K.O. Buys Rose TV Play". The New York Times. p. 22.
  5. ^Crowe, Cameron (1999). Conversations with Billy Wilder (First ed.). New York: Borzoi Books. p. 171. ISBN .
  6. ^Parsons, Louella (April 30, 1956). "Wilder to Do Broadway, London Hit". The Washington Post and Times Herald. p. 32.
  7. ^Zigelstein, 2004, UCLA: “...this scene alluded playfully to Dietrich’s iconic performances in The Blue Angel (1930) and Morocco
  8. ^Witness for the Prosecution on IMDb
  9. ^"Witness for the Prosecution (1957)". Internet Movie Poster Database. Archived from the original on October 15, 2009. Retrieved July 16, 2018.
  10. ^Zigelstein, 2004, UCLA: “the end credits earnestly entreat the audience not to divulge [the surprise ending] upon leaving the theater.”
  11. ^Osborne, Robert (October 29, 2008). Comments on TCM broadcast. Turner Classic Movies.
  12. ^Zigelstein, 2004, UCLA
  13. ^Schallert, Edwin (December 18, 1957). "'WITNESS FOR PROSECUTION' DYNAMIC COURTROOM FILM". Los Angeles Times. p. B14.
  14. ^"Witness for the Prosecution (1957)". Rotten Tomatoes. Fandango Media. Retrieved June 30, 2019.
  15. ^"Witness for the Prosecution". TV Guide. CBS Interactive. Retrieved April 28, 2010.
  16. ^"The 30th Academy Awards | 1958". Academy of Motion Picture Arts and Sciences. Retrieved August 21, 2011.
  17. ^"Witness for the Prosecution". The Official Andrea King Website. Retrieved July 16, 2018.
  18. ^Witness for the Prosecution at the Internet Broadway Database
  19. ^McNary, Dave (August 19, 2016). "Ben Affleck Directing, Starring in 'Witness for the Prosecution' Remake". Variety. Retrieved August 30, 2016.


  • Durgnat, Raymond and Simmon, Scott. 1988. King Vidor, American. University of California Press, Berkeley. ISBN 0-520-05798-8
  • Hopkins, Charles. 2004. A Foreign Affair, 1948. UCLA Film and Television Archive: 12th Festival of Preservation, July 22-August 21, 2004. Festival Handbook.
  • Zigelstein, Jesse. 2004. Witness for the Prosecution, 1957. UCLA Film and Television Archive: 12th Festival of Preservation, July 22-August 21, 2004. Festival handbook.

External links[edit]


1 thoughts to “Marlana pryor dating site”

Leave a Reply

Your email address will not be published. Required fields are marked *